In the ever-turbulent waters of Hollywood’s creative seas, a curious tide appears to be shifting. It seems that among the glittering stars and dubious scripts, some filmmakers are finally waking up to the realities of religious storytelling. Once known as The Land of Explicit Awkwardness, where the only thing more exaggerated than the star-studded egos was virtue signaling, we now see a flicker of something that resembles common sense. While some might argue that this is merely wishful thinking, a recent series of cultural faux pas and backlash suggests that the Hollywood machine might be beginning to grasp more than just the latest TikTok dance.
Speaking of cultural shifts, let’s revisit the infamous Bud Light debacle. For those who ventured too close to social media in recent months, the chaos that erupted when Bud Light chose Dylan Mulvaney—a transgender woman—was nothing short of a marketing horror show. It was a marketing idea that could only be cooked up by someone entirely disconnected from those who enjoy beer. The general public reacted by voting with their wallets, turning the beloved beer brand into a cautionary tale for what happens when a company misjudges its customer base—a lesson that, like a flat tire, might take a while to fully deflate.
And just when it looked like the ship would be going down with the proverbial “we are sorry” memo pinned to the door, Bud Light rushed out a new commercial featuring comedian Shane Gillis. In this visually jarring ad, Gillis finds himself surrounded by a scene that screams “artsy college project” rather than “give me my cold drink.” As he questions his surroundings, it’s almost as if he’s the sober friend at a party he didn’t want to attend. Let’s not pretend for a second that this is anything more than an attempt at damage control; sometimes, an apology, as they say, is better than a punchline. Whether forgiveness should be granted is up for debate, but it’s clear that the tides are changing.
Then there’s that elephant in the room—the one that Hollywood seems intent on avoiding: the ongoing cold war between creativity and artificial intelligence. Recently, Ben Affleck, an often underrated intellect amidst the sea of Hollywood beauties, shared his thoughts: AI can impersonate Shakespeare, but it will never be Shakespeare. Art, he argued, is about human beings and the unique ways those beings express the human condition. As it happens, this notion resonates deeply in an age where algorithms threaten to replace nuance in storytelling with predictable plots. If we can get anything from Hollywood today, it’s that genuine storytelling holds weight and perhaps has the power to transcend the empty chatter of suburbia and TikTok trends.
Affleck’s musings lead us to ponder the essential truth behind storytelling: each tale is but a piece of a larger puzzle. That wonderful, chaotic thing we call life is best understood via the myriad stories crafted by human hands, flawed as they may be. The more voices in the mix, the better our grasp of this thing we call existence. While Hollywood might be stuck in its echo chamber, the longing for diverse stories—including those driven by religious narratives—offers a glimmer of hope. Maybe both sides can agree, if only for a moment, that outlets for compelling storytelling can serve society in profound ways or at least distract them from staring into the abyss of their political debates.
In the end, one must ponder whether these shifts are a genuine evolution or a mere blip on the radar before Hollywood resumes its regularly scheduled programming of eye-rolling antics and unoriginal superhero tropes. Regardless, there lies the potential for artistic redemption and a rediscovered love for stories that resonate with larger truths—all while we enjoy our brews—whether Bud Light or something more craft-beer-esque. And who knows? Perhaps one day even the most hardened critics will raise a glass to that bittersweet mix of humor and humanity that only art can truly capture. In the meantime, let cultural puns flow because if there’s one thing that transcends politics, it’s a bad joke—much like a Bud Light ad gone wrong.