Staff Reports
The new single “The United Saints of America” dropped this week, and conservatives got the first push we expected — on The Alex Marlow Show. Written by Jon Kahn and Grammy‑nominated Michael Farren, the patriotic anthem was promoted on the program hosted by Alex Marlow, Editor‑in‑Chief of Breitbart News, with Lt. Col. Allen West, Executive Director of the American Constitutional Rights Union, joining the conversation. Michael Farren told listeners that “people who have previously been silent are finally saying, ‘I can’t be quiet anymore,'” a line that sums up the song’s whole mood.
A patriotic anthem for a jittery moment
“The United Saints of America” isn’t pretending to be neutral art. It’s a rallying cry aimed at people who feel their country and values are under pressure. Farren, who has deep Nashville credits, even shared a social post about how the lines from “America the Beautiful” move him — the scenery is nice, but it’s the people who make this nation great. Call it straight talk. Call it a throwback. I call it a badly needed reminder that patriotism still sells when it’s honest and loud.
Who made it and how it’s being pushed
Jon Kahn — Breitbart’s COO and one of the song’s co‑writers — has already shown he knows how to reach conservative audiences with pro‑America music, and teaming him with Michael Farren gives the track real songwriting heft. The single and official video are available on major streaming platforms and are being promoted by conservative media outlets and radio. That’s smart distribution: get the song where the audience is, then let the audience decide if it becomes a rally staple or just another streaming blip.
Why this matters beyond the chorus
Music moves crowds. It animates rallies, it soundtrack campaigns, and it helps build identity. If “The United Saints of America” catches on, it won’t just be background music — it could become shorthand for a movement that’s tired of quiet. The mainstream music industry has largely left this lane empty, so conservative creators filling it is not surprising. The real question: will conservative leaders and organizers play it at events, or will this remain a niche hit circulated on friendly platforms? Either way, the timing — with talk of America’s 250th in the air — makes the song useful now.
So listen, judge, and maybe sing along. Whether you think the lyrics are artful or blunt, the song does something valuable: it gives voice to a crowd that says it has finally had enough of silence. If you want culture that speaks plainly about patriotism, “The United Saints of America” delivers exactly that — no apology, no soft pedal, just a clear invitation to stand up and be heard.
